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The MaudCast is the podcast of the L.M. Montgomery Institute. In the MaudCast’s quest to discover cutting edge scholarship about the life and works of Lucy Maud Montgomery, we welcome to the microphone leading academics, emerging scholars, local researchers, and imaginative readers and writers from around the world. Hosted by Dr. Brenton Dickieson, we broadcast from the beautiful campus of the University of Prince Edward Island.
Episodes
Thursday Feb 24, 2022
Thursday Feb 24, 2022
Show Notes:
In this episode, Brenton Dickieson is pleased to connect with Montgomery-inspired poet and scholar, Julie A. Sellers, on her collection of poems, Kindred Verse: Poems inspired by Anne of Green Gables–a collection filled photographs, reflections, and poems in conversation with the eight Anne books by L.M. Montgomery. Rooted in images of home, the natural, and the adventurous imagination, Kindred Verse is a reflection of how Montgomery’s works and the character of Anne have reshaped Julie’s own sense of the possible. Inspired by readings from Kindred Verses, Julie and Brenton discuss themes of nostalgia, friendship, and landscapes both natural and imaginative.
Podcast Description:
The MaudCast is the podcast of the L.M. Montgomery Institute. In the MaudCast’s quest to discover cutting-edge scholarship about the life and works of Lucy Maud Montgomery, we welcome to the microphone leading academics, emerging scholars, local researchers, and imaginative readers and writers from around the world. Hosted by Dr. Brenton Dickieson, we broadcast from the beautiful campus of the University of Prince Edward Island.
The MaudCast Team
Host and Founding Producer: Brenton Dickieson
Founding Co-Producer: Kate Scarth
Technical Director: Kristy McKinney
Researcher: Abbey McRoberts
Researcher: Alyssa Gillespie
Researcher: Keziah Stoltz
Visual Design: Heidi Haering
Web Coordinator: Melanie J. Fishbane
MaudCast Media Contacts:
Find the MaudCast on Twitter and Instagram @LMMIMaudCast
L.M. Montgomery Institute Website: https://www.lmmontgomery.ca/
L.M. Montgomery Institute Twitter: @LMMI_PEI
Kindred Spaces Research Collection Online: https://kindredspaces.ca/
The Journal of L.M. Montgomery Studies: https://journaloflmmontgomerystudies.ca/
Brenton Dickieson Twitter: @BrentonDana
Brenton Dickieson website: www.aPilgrimInNarnia.com
Brenton Dickieson Instagram: https://www.instagram.com/bdickieson/
Guest Social Media Links:
Twitter: @julieasellers
Facebook: https://www.facebook.com/julieasellersauthor
Instagram: https://www.instagram.com/julieasellers/
Website: https://julieasellers.com/
Goodreads: https://www.goodreads.com/author/show/7785927.Julie_A_Sellers
Closing Quotation:
“We will meet, somewhere, there in the middle of the book…” From Julie A. Sellers, Kindred Verse: Poems Inspired by Anne of Green Gables (Wichita: Blue Cedar Press, 2021), p. 20.
Research and Book References from the Show:
Sellers, Julie A. Kindred Verse: Poems Inspired by Anne of Green Gables. Wichita: Blue Cedar Press, 2021.
Sellers, Julie A. “‘Just as If I Was a Heroine in a Book’: Quixotic Identification in and with Anne of Green Gables.” In Reflections on Our Relationships with Anne of Green Gables: Kindred Spirits, edited by Jessica Carniel and Nike Sulway, 105–20. Newcastle upon Tyne: Cambridge Scholars Publishing, 2021.
Sellers, Julie A. “‘A Good Imagination Gone Wrong’: Reading Anne of Green Gables as a Quixotic Novel.” Journal of L.M. Montgomery Studies, 5 June 2019, https://journaloflmmontgomerystudies.ca/reading/sellers.
Acknowledgements:
The MaudCast is a global podcast in a digital age but operates in a real time and space. Thus, we would like to respectfully acknowledge that the land upon which we broadcast is the traditional and ongoing unceded territory of the Abegweit Mi’kmaq First Nation.
Special thanks to the Robertson Library at UPEI and all of our community partners.
Susato’s “Selection from The Danserye: III. Les Quatre Branle” performed by the UPEI Wind Symphony, directed by Dr. Karem J Simon, available for purchase here: https://upeiwindsymphony.bandcamp.com/album/the-danserye.
The MaudCast is supported in part by funding from the Social Sciences and Humanities Research Council.
Wednesday Jan 26, 2022
Wednesday Jan 26, 2022
MaudCast S02E03 Melanie Fishbane and Images of Montgomery as an Author
In this episode, host Brenton Dickieson sits down with scholar and fiction writer, Melanie J. Fishbane to talk about how Mel brings together the creative and the critical in dialogue with L.M. Montgomery’s life and work. At the centre of their discussion is Mel’s literary YA historical fiction, Maud. They discuss Mel’s research and discovery process, getting to the heart of how Lucy Maud Montgomery--”Maud” to her friends and family--became a living character in Mel’s imagination. They discuss Mel’s artistic and character choices, including the difficult conversation about Montgomery and indigenous peoples she encountered, especially in her year in Prince Albert, Saskatchewan. Mel’s choices in the novel, we see--including an elegant moment of drawing the question to the surface--are informed by sensitive research, scholarly insight, writerly instinct, and the ethical choice to seek consultation. Listeners to this episode will appreciate an in-depth discussion about the writing process, and hear about Melanie’s scholarly work, including a recent paper bringing together two Annes--Anne Frank and Anne of Green Gables--woven together thoughtfully with Melanie’s own writerly perspective. Listeners will also enjoy conversation about great books, journaling, the perils of workplace cats, and the importance of coloured pens.
Podcast Description
The MaudCast is the podcast of the L.M. Montgomery Institute. In the MaudCast’s quest to discover cutting-edge scholarship about the life and works of Lucy Maud Montgomery, we welcome to the microphone leading academics, emerging scholars, local researchers, and imaginative readers and writers from around the world. Hosted by Dr. Brenton Dickieson, we broadcast from the beautiful campus of the University of Prince Edward Island.
The MaudCast Team
Host and Founding Producer: Brenton Dickieson
Founding Co-Producer: Kate Scarth
Technical Director: Kristy McKinney
Researcher: Abbey McRoberts
Researcher: Alyssa Gillespie
Researcher: Keziah Stoltz
Visual Design: Heidi Haering
Web Coordinator: Melanie J. Fishbane
MaudCast Media Contacts:
Find the MaudCast on Twitter and Instagram @LMMIMaudCast
L.M. Montgomery Institute Website: https://www.lmmontgomery.ca/
L.M. Montgomery Institute Twitter: @LMMI_PEI
Kindred Spaces Research Collection Online: https://kindredspaces.ca/
The Journal of L.M. Montgomery Studies: https://journaloflmmontgomerystudies.ca/
Brenton Dickieson Twitter: @BrentonDana
Brenton Dickieson website: www.aPilgrimInNarnia.com
Brenton Dickieson Instagram: https://www.instagram.com/bdickieson/
Guest Social Media Links:
Twitter: @MelanieFishbane
Facebook: https://www.facebook.com/MelanieJFishbane/
Instagram: https://www.instagram.com/melanie_fishbane/
Website: https://melaniefishbane.com/
Goodreads: https://www.goodreads.com/author/show/15505239.Melanie_J_Fishbane
Susato’s “Selection from The Danserye: III. Les Quatre Branle” performed by the UPEI Wind Symphony, directed by Dr. Karem J Simon, available for purchase here: https://upeiwindsymphony.bandcamp.com/album/the-danserye.
Adapted Closing Quotation:
“May you, dear readers, create stories that come from the dark corners of your soul, giving voice to your rainbow valleys, shining waters, and disappointed houses too” (Melanie J. Fishbane, Maud: A Novel INspired by the Life of L.M. Montgomery, p. 366).
Research References from the Show:
Fishbane, Melanie J. Maud: A Novel Inspired by the Life of L.M. Montgomery. Toronto: Penguin Teen Canada, 2017.
Fishbane, Melanie J. “Two Annes, Many Annes: A Writer’s Reflection on Reading Anne of Green Gables and The Diary of a Young Girl.” Journal of L.M. Montgomery Studies, 18 July 2021, https://journaloflmmontgomerystudies.ca/reading/fishbane-two-annes-many-annes.
Fishbane, Melanie J. “‘My Pen Shall Heal, Not Hurt’: Writing as Therapy in Rilla of Ingleside and The Blythes Are Quoted.” In L.M. Montgomery’s Rainbow Valleys: The Ontario Years, 1911–1942, edited by Rita Bode and Lesley D. Clement, 131–44, 290–91. Montreal and Kingston: McGill-Queen’s University Press, 2015.
Dickieson, Brenton D.G. “Befriending the Darkness: L.M. Montgomery’s Lived Theodicy in Anne’s House of Dreams.” Journal of L.M. Montgomery Studies, 25 Oct 2021, https://journaloflmmontgomerystudies.ca/reading/Dickieson/Befriending-the-Darkness.
Special thanks to the Robertson Library at UPEI and all of our community partners.
The MaudCast is supported in part by funding from the Social Sciences and Humanities Research Council.
Wednesday Dec 08, 2021
Wednesday Dec 08, 2021
In this episode, host Brenton Dickieson was joined by two Atlantic Canadian L.M. Montgomery scholars, E. Holly Pike and Laura Robinson. Laura and Holly share about their labour of longsuffering love, the richly edited volume, L.M. Montgomery and Gender, recently published by McGill-Queen’s University Press. In discussion about some of the thoughtful essays in the collection, readers will enjoy hearing about the complex relationship of masculinities and feminitities in Montgomery’s novels and short stories. In particular, Brenton, Holly, and Laura press in on “what L.M. Montgomery is doing to us as readers,” focussing on her particularly deft inversive and subversive tendencies. Within a broad-ranging conversation about books, research, and the social moment, Laura and Holly also share their stories of discovering the imaginative possibilities of working critically with Montgomery’s works and their hopes for an ever-increasing diversity of voices within the Montgomery scholarly community.
Show Notes
The MaudCast is the podcast of the L.M. Montgomery Institute. In the MaudCast’s quest to discover cutting-edge scholarship about the life and works of Lucy Maud Montgomery, we welcome to the microphone leading academics, emerging scholars, local researchers, and imaginative readers and writers from around the world. Hosted by Dr. Brenton Dickieson, we broadcast from the beautiful campus of the University of Prince Edward Island.
The MaudCast Team
Host and Founding Producer: Brenton Dickieson
Founding Co-Producer: Kate Scarth
Technical Director: Kristy McKinney
Researcher: Abbey McRoberts
Researcher: Alyssa Gillespie
Visual Design: Heidi Haering
Web Coordinator: Melanie J. Fishbane
MaudCast Media Contacts:
Find the MaudCast on Twitter and Instagram @LMMIMaudCast
L.M. Montgomery Institute Website: https://www.lmmontgomery.ca/
L.M. Montgomery Institute Twitter: @LMMI_PEI
Kindred Spaces Research Collection Online: https://kindredspaces.ca/
The Journal of L.M. Montgomery Studies: https://journaloflmmontgomerystudies.ca/
Brenton Dickieson Twitter: @BrentonDana
Brenton Dickieson website: www.aPilgrimInNarnia.com
Brenton Dickieson Instagram: https://www.instagram.com/bdickieson/
Guest Social Media Links:
Twitter: @Laura_Learns
Facebook: https://www.facebook.com/robin.laurenson
Instagram: laurarobinson1928
Acadia U website: https://english.acadiau.ca/dr-laura-robinson.html
Closing Quotation:
“Wave and undertow, affirmation and undercutting: there is no clear end for a time or an idea or a book that people continue to read. Modernism celebrated fractured time, wounded time; Montgomery insisted on time’s deep continuities; she endorsed healing.” (Elizabeth Rollins Epperly, “Magic for Marigold: Engendering Questions about What Lasts,” in L.M. Montgomery and Gender, ed. E. Holly Pike and Laura M. Robinson (McGill-Queen’s University Press, 2021), p. 346).
Research References from the Show:
Pike, E. Holly, and Laura M. Robinson, eds. L.M. Montgomery and Gender. Montreal and Kingston: McGill-Queen’s University Press, 2021.
Robinson, Laura M. “Kindred Spirits: Kinship and the Nature of Nature in Anne’s House of Dreams and The Blue Castle.” In L.M. Montgomery and the Matter of Nature(s), edited by Rita Bode and Jean Mitchell, 171–83, 240–41. Montreal and Kingston: McGill-Queen’s University Press, 2018.
Pike, E. Holly. “Cross-Dressing: Twins, Language, and Gender in L.M. Montgomery’s Short Fiction.” In L.M. Montgomery and Gender, edited by E. Holly Pike and Laura M. Robinson, 175–94. Montreal and Kingston: McGill-Queen’s University Press, 2021.
Pike, E. Holly. “Reading the Book as Object and Thing in L.M. Montgomery’s Emily Series.” In “L.M. Montgomery and Reading,” edited by Emily Woster and Kate Scarth. Special collection, Journal of L.M. Montgomery Studies, 15 December 2020. https://doi.org/10.32393/jlmms/2021.0003.
Montgomery, L.M. A Name for Herself: Selected Writings, 1891–1917. Edited by Benjamin Lefebvre. Toronto: University of Toronto Press, 2018. The L.M. Montgomery Library.
Credits:
Susato’s “Selection from The Danserye: III. Les Quatre Branle” performed by the UPEI Wind Symphony, directed by Dr. Karem J Simon, available for purchase here: https://upeiwindsymphony.bandcamp.com/album/the-danserye.
Special thanks to the Robertson Library at UPEI and all of our community partners.
The MaudCast is supported in part by funding from the Social Sciences and Humanities Research Council.
Monday Nov 22, 2021
Monday Nov 22, 2021
MaudCast S02E01 Allison Hudson and How We Touch the Books We Read
In this episode, host Brenton Dickieson sits down with Allison McBain Hudson, a Canadian-Irish writer and Montgomery scholar. Following an MA in Children’s and Young Adult Literature that focused on Montgomery’s rural Canadian romanticism in Anne of Green Gables and the Emily trilogy, Allison has moved on to PhD studies in literature at Dublin City University. Brenton and Allison discuss her research, how she moves from “metaphysical” ideas in Montgomery’s writings in her MA research, to the discovery of “physical” objects in her doctoral dissertation. In particular, Allison discusses her research in “material culture” in L.M. Montgomery’s novels--the tangible, tactile objects that make up the details of everyday life. These objects, like houses, books, portraits, mittens, and hanging hams provide atmosphere and setting in the novel, but they also provide connection points between the characters and carry other kinds of significance for the reader. While Allison and Brenton chat about the Emily trilogy throughout, their conversation about books ranges out into the fantastic, considering the “material culture” of objects like wardrobes, sewing machines, rings, and mundane portkeys in writers like C.S. Lewis, J.R.R. Tolkien, J.K. Rowling, Madeleine L’Engle, Ursula K. Le Guin, Katherine Paterson, and Annie Dillard.
Show Notes
The MaudCast is the podcast of the L.M. Montgomery Institute. In the MaudCast’s quest to discover cutting-edge scholarship about the life and works of Lucy Maud Montgomery, we welcome to the microphone leading academics, emerging scholars, local researchers, and imaginative readers and writers from around the world. Hosted by Dr. Brenton Dickieson, we broadcast from the beautiful campus of the University of Prince Edward Island.
The MaudCast Team
Host and Founding Producer: Brenton Dickieson
Founding Co-Producer: Kate Scarth
Technical Director: Kristy McKinney
Researcher: Abbey McRoberts
Researcher: Alyssa Gillespie
Visual Design: Heidi Haering
Web Coordinator: Melanie J. Fishbane
Find the MaudCast on Twitter and Instagram @LMMIMaudCast
L.M. Montgomery Institute Website: https://www.lmmontgomery.ca/
L.M. Montgomery Institute Twitter: @LMMI_PEI
Kindred Spaces Research Collection Online: https://kindredspaces.ca/
The Journal of L.M. Montgomery Studies: https://journaloflmmontgomerystudies.ca/
Brenton Dickieson Twitter: @BrentonDana
Brenton Dickieson website: www.aPilgrimInNarnia.com
Guest Social Media Links:
Twitter: @Nikiwan72
Facebook: Allison McBain Hudson
Instagram: @nikiwan72
Susato’s “Selection from The Danserye: III. Les Quatre Branle” performed by the UPEI Wind Symphony, directed by Dr. Karem J Simon, available for purchase here: https://upeiwindsymphony.bandcamp.com/album/the-danserye.
Closing quotation:
“[Jane] had been away from Lantern Hill for nine months, but now it seemed to her that she had never been away at all. She had been living here all along. It was her spirit’s home” (L.M. Montgomery, Jane of Lantern Hill (Seal Books, 1988), p.169).
Other quotations:
“Our lives are characterised by innumerable encounters with objects…Objects are routinely, mundanely, part of everyday existence. Moreover, beyond this pragmatic view, even the most commonplace object has the capacity to symbolise the deepest human anxieties and aspirations…in important ways objects have a type of power over us…people require objects to understand and perform aspects of selfhood, and to navigate the terrain of culture more broadly” (Ian Woodward, Understanding Material Culture, p. vi).
“Emily had never seen a kitchen like this before. It had dark wooden walls and low ceiling, with black rafters crossing it, from which hung hams and sides of bacon and bunches of herbs and new socks and mittens, and many other things, the names and uses of which Emily could not imagine. The sanded floor was spotlessly white, but the boards had been scrubbed away through the years until the knots in them stuck up all over in funny little bosses, and in front of the stove they had sagged, making a queer, shallow little hollow” (L.M. Montgomery, Emily of New Moon, ch. 6).
Special thanks to the Robertson Library at UPEI and all of our community partners.
The MaudCast is supported in part by funding from the Social Sciences and Humanities Research Council.
